The Criterion Collection
Essays
Apr 21, 2009 — “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...
Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...
Sep 23, 2002 — The theatricality of Alfred Hitchcock’s thriller makes the point that psychoanalysis is a sister to cinema rather than a rival.
Feb 5, 2026 — In London, the BFI is marking the hundredth anniversary of Wajda’s birth with a series of eighteen films.
The Daily
Apr 7, 2025 — He played Iceman, Jim Morrison, Doc Holliday, and even Batman as no one else would or could have.
Nov 26, 2024 — Combining sci-fi magic and a distinctly human sense of intimacy, Guillermo del Toro’s Oscar-winning film reimagines an oppressive era in American history through a tale of romantic fate.
The Daily
Sep 22, 2020 — The New Yorker’s music critic traces the history of the composer’s impact on art, culture, and the movies.
The Daily
Jan 5, 2018 — For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...
There’s more in the collection than just the spine-numbered titles. Check out the releases that include short films as supplemental treasures.
Mar 30, 2010 — The work of Pedro Costa has progressed in slow, measured steps, but each step has been a giant leap. His slowness is both the condition and the consequence of ethical standards he shares with precious few directors of his generation....