The Criterion Collection
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Sep 29, 2015 — Merchant Ivory Productions’ sun-kissed romantic comedy is an effervescent tale of class and manners among the Edwardian English.
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Features
Nov 28, 2014 — It Happened One Night is part of a long tradition of American comedies on the move.
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Sneak Peeks
Apr 23, 2014 — Dino Risi’s Il sorpasso, coming out next week in a Criterion edition, was an inspiration for Alexander Payne’s Oscar-winning Sideways. Being such a fan of the film, which is beloved in Italy but underappreciated here in the U.S., Payne agreed...
Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...
Interviews
Oct 7, 2011 — For Janus Films’ new print of Jean-Luc Godard’s Weekend, which starts showing today, designer Steve Chow created an eye-catching poster that vividly captures that New Wave battering ram’s apocalyptic, sideways vision. This is the third Godard design that Chow has...
Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...