Rushmore

May 17, 2012 — Repertory Picks It’s just a Wes kind of week. To coincide with next week’s U.S. opening of his Moonrise Kingdom, the Museum of the Moving Image in New York is launching a complete retrospective of Wes Anderson’s feature films, called...

Feb 10, 2012 — The Chef whips up a sweet treat, using a recipe from a star of one of his favorite films in the collection, Wes Anderson’s candy-colored The Royal Tenenbaums.

Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...

Nov 18, 2009 — Wes Anderson’s surprising latest endeavor, the stop-motion Roald Dahl adaptation Fantastic Mr. Fox, is out in theaters now and garnering terrific reviews. We thought we’d catch up with our friend and ask him some questions about this charming labor of love,...

Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.

Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.

Aug 17, 1992 — Blackmail was Alfred Hitchcock’s tenth picture in England, his second thriller and first British talkie—and it marked an important crossroads in film history. Hitchcock shot the film in 1929 as a silent picture, but when it was ready for silent...

Apr 6, 2009 — What do Orson Welles, François Truffaut, Mike Nichols, and Peanuts have in common? According to critic Matt Zoller Seitz, they’re just a few of the many influences on Wes Anderson’s films, and in a lovingly assembled and keenly edited five-part...

Dec 1, 2021 — So far, most critics have been gung ho, but a few are expressing reservations.