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Resurrection of Love

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The Daily

Jun 20, 2019 Film series around the world are making this year’s Pride Month especially loud and proud.

Apr 3, 2018 A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Feb 23, 2018 “Eighteen years young and still eagerly nudging audiences toward discovery, Film Comment Selects is a film series as pointed act of correction,” writes Ed Gonzalez at the top of his overview in the Village Voice of the series opening today...

Nov 29, 2017 The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...

Aug 10, 2017 “The Coen brothers’ secretive new project The Ballad of Buster Scruggs has landed at Netflix,” reports Zack Sharf for IndieWire. The Western anthology, shot in New Mexico and premiering next year, “tells six distinct stories set on the American frontier....

Apr 19, 2016 In Whit Stillman’s second feature, cousins Fred and Ted Boynton (Chris Eigeman and Taylor Nichols) navigate an occasionally hostile culture and their own late transitions to adulthood.

Aug 30, 2011 “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Jun 18, 2007 Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.

Nov 18, 2025 This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.

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