The Criterion Collection
The Daily
Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...
Apr 12, 2011 — With his 1970 gangster epic Le cercle rouge, Jean-Pierre Melville finally landed his white whale.
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Features
Sep 4, 2019 — With their novelistic density and sexual openness, the films of French master André Téchiné introduced director Stephen Cone to a strange new world of contradictions.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.
Apr 12, 2011 — Siddhartha Gautama, the Buddha, drew a circle with a piece of red chalk and said: “When men, even unknowingly, are to meet one day, whatever may befall each, whatever their diverging paths, on the said day, they will inevitably come...
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Sep 26, 2005 — “They were down for each other.” If one wanted to pitch the concept of Bad Timing in six words, this comment by its director, Nicolas Roeg, couldn’t be bettered.