The Criterion Collection
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Nov 29, 2021 — The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Oct 27, 2021 — Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...
The Daily
Oct 18, 2021 — Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
Aug 17, 2021 — Songbook It will always figure for me as an interval of eerily suspended time: not only a formative moviegoing experience but a jolt of awareness when the line between screen and life dissolved. In a dimly lit Tokyo cabaret the...
Aug 3, 2021 — With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...