The Criterion Collection
Essays
Aug 31, 2012 — He was a doctor, explorer, and anthropologist in addition to being a director. Learn more about the fascinating man who made Lonesome.
May 30, 2012 — Our video series featuring filmmakers and friends Robert Downey Sr. and Paul Thomas Anderson discussing the films in the Eclipse set Up All Night with Robert Downey Sr. wraps up with an installment focusing on the most successful film of...
May 22, 2012 — In this second part of our exclusive online series in which directors and compadres Robert Downey Sr. and Paul Thomas Anderson look back at the films featured in the Eclipse set Up All Night with Robert Downey Sr., the two...
May 17, 2012 — Robert Downey Sr. and Paul Thomas Anderson have been close friends for years. (You can see Downey in a memorable cameo as a record producer in Anderson’s 1997 film Boogie Nights.) Last month, the two directors came to the Criterion...
Feb 13, 2009 — Paul Morrissey is the director of Flesh for Frankenstein and Blood for Dracula.
Paul Grimstad’s songs and original scores have been in movies by the Safdie brothers, Sean Price Williams, Nathan Silver, Albert Maysles, and others. His writing has appeared in print and online in the New Yorker, the Paris Review, the Baffler,...
Paul Thomas is Emeritus Professor of Political Theory and American Cultures at the University of California, Berkeley. A contributing editor of Film Quarterly, he is currently at work on a critical biography of Jean Renoir.
Paul Mayersberg started as a film critic, worked as an assistant to Jean-Pierre Melville, Joseph Losey, and Roger Corman, and became the screenwriter of The Man Who Fell to Earth, Merry Christmas Mr. Lawrence, Eureka, and Croupier. He is the...
Paul Ryan (1952–2022) was a writer and singer whose books include Never Apologise: The Collected Writings of Lindsay Anderson.
William Paul, a professor of film and media studies at Washington University in St. Louis, is the author of Ernst Lubitsch’s American Comedy; Laughing Screaming: Modern Hollywood Horror and Comedy; and When Movies Were Theater: Architecture, Exhibition, and the Evolution...