The Criterion Collection
Essays
Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...
The Daily
Oct 2, 2023 — Andrew Scott, Paul Mescal, Jamie Bell, and Claire Foy star in a melancholic story of romance and reconciliation.
The Daily
Sep 18, 2023 — Winners and runners-up include American Fiction, The Holdovers, Dicks: The Musical, and Dear Jessi.
Jul 25, 2023 — A master class in dramatic tension and pacing, Carl Franklin’s neonoir masterpiece explores the desperate energy and desperate deeds that fuel real crime.
The Daily
Apr 17, 2023 — Six of the eleven first and second features selected this year are directed by women.
Oct 28, 2022 — The role of the vampire has given talented actors throughout film history—from Bela Lugosi to Catherine Deneuve—the chance to embody physical and moral extremity.
On the Channel
Aug 30, 2022 — Next month, the Criterion Channel celebrates the films of trailblazing cinematographer James Wong Howe, European acting icon Romy Schneider, and Spanish provocateur Carlos Saura.
Features
Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
Features
May 11, 2022 — Louis Feuillade’s influential serial Les Vampires reflected the French national subconscious at the time by depicting a madcap world of anarchy and violent spectacle.