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Not of This Earth

Sep 5, 2017 Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Mar 16, 2015 Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.

Jan 18, 2012 Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Jan 15, 2021 This week we’re reading Greg Tate on MLK/FBI, Ian Christie on the decadence of early British cinema, and Reverse Shot’s 2020 top ten.

Dec 5, 2025 New issues of Cineaste and Found Footage Magazine are among this week’s highlights.

Feb 24, 2015 Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Jul 27, 2010 Americans got The Secret of the Grain. In France, they got La graine et le mulet (The Grain and the Mullet)—basically, “Couscous and Fish.” Depending on whose table you eat dinner at, the French title can seem as elemental as...

Jul 25, 2024 During a tumultuous period in New York’s history, movies like Midnight Cowboy, Taxi Driver, and Shaft found excitement and squalor in one of the city’s most infamous tourist attractions.

Jan 29, 2020 It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...

Feb 9, 2016 Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...

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