The Criterion Collection
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
The Daily
Jan 27, 2020 — Kirby Dick and Amy Ziering’s On the Record and Kitty Green’s The Assistant explore the “ecosystems of power” that enable abusers.
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Jul 22, 2013 — Gabriel Axel’s exquisite adaptation of Isak Dinesen’s short tale of grace through art provides spiritual and sensual sustenance.
Jul 29, 2025 — Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
Essays
May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.
The Daily
May 30, 2018 — A new website and two translations of her memoir will extend the Belgian filmmaker’s legacy.
The Daily
Feb 25, 2018 — “James Baldwin and Karl Marx—the subjects of my two most recent films—were my two primary teachers; each in his own way taught me how to think, how to be, how to engage,” writes Raoul Peck, director of I Am Not...