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Night of the Demon

What Might Be

The Daily

Jul 3, 2025 The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.

Sondheim On-Screen

The Daily

Nov 29, 2021 The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Nov 16, 2017 “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Unmistakably Real

The Daily

Mar 13, 2026 SXSW opens, Another Gaze returns, and Juliette Binoche is on tour with her directorial debut.

Japan Cuts 2017

The Daily

Jul 13, 2017 “The spirit of Seijun Suzuki, patron saint of avant-garde Japanese filmmakers, presides over the Japan Society's 11th annual Japan Cuts program, a consistently exciting survey of innovative Nipponese cinema,” writes Simon Abrams at the top of his preview for RogerEbert.com....

Oct 19, 2015 Take a look back at critics’ initial reactions to David Lynch’s haunting masterpiece Mulholland Dr.

Oct 26, 2010 A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...

Jun 22, 2023 Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.

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