The Criterion Collection
On the Channel
Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.
The Daily
Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.
The Daily
Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.
Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Aug 6, 2021 — At a perilous moment in the history of the western, a series of films by Budd Boetticher and Randolph Scott stood out for their no-nonsense lucidity.
Nov 17, 2020 — Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...
Features
Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...