Lives at Right Angles

Dec 18, 2016 — Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

May 11, 2026 — We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.

Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Oct 20, 2020 — Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.

Dec 12, 2017 — “Evil is ascendant,” begins Manohla Dargis in the New York Times. “The Resistance—an intrepid, multi-everything group whose leaders include a battle-tested woman warrior—has been fighting the good fight for years but is outnumbered and occasionally outmaneuvered. Yes, the latest Star...

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...