The Criterion Collection
Jan 6, 2003 — “No one would claim that Lubitsch’s German films were more important than his American ones (cf. Fritz Lang).” This was Richard Roud’s response to my piece “Ernst Lubitsch: German Period” in his Cinema: A Critical Dictionary. One could indeed ask...
Jun 23, 2026 — “Ozone Hole over Baltimore?” queries a panicky 1992 headline in the Baltimore Sun. Sure, as the article clarifies, the Maryland metropolis, eternal home base of trash icon John Waters, is no more vulnerable to ozone depletion than any other city...
The Daily
Jun 21, 2023 — The Method, riffs on pop culture, and a fist fight with Lawrence Tierney all figure in this month’s roundup on new and noteworthy titles.
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
Oct 27, 2021 — Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...
Aug 17, 2021 — D. A. Pennebaker turns his camera on Stephen Sondheim and the cast of his breakthrough musical in this revelatory documentary about artists at work.
Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.
Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.
On the Channel
Feb 18, 2025 — HIghlights this month include a look back at the Dogme 95 movement, a showcase of great supporting performances, and spotlights on directors Michael Mann, Alain Guiraudie, and Lee Chang-dong.
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.