La playa vacía/The Empty Beach (Spain

Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.

Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Jan 11, 2011 — His most personal film as well as the final one to deal with the German occupation of France, Jean-Pierre Melville’s thriller showcases human consciousness grappling with mortality.

Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.