The Criterion Collection
Jul 15, 2014 — Ihave an unusually easy way of remembering when I first became fascinated by Robert Bresson’s films. Pickpocket (1959) was the first one I saw, at the old Orson Welles theater in Cambridge, Massachusetts, in my late teens; it was also...
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Aug 24, 2010 — T he Docks of New York is one of those orphaned silents, released in 1928, the very end of the era. Apparently, it was previewed the same week as Al Jolson’s The Singing Fool, his first “all-talking” picture, the follow-up...
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Essays
Jun 13, 2005 — Godard’s famous claim that Au hasard Balthazar is “the world in an hour and a half” suggests how dense, how immense Bresson’s brief, elliptical tale about the life and death of a donkey is. The film’s steady accumulation of incident,...
Visual Analysis
Aug 12, 2017 — The director of the newly released Columbus takes a close look at how doors open onto philosophical mysteries in the films of French master Robert Bresson.
Nov 6, 2015 — As part of the launch of the new French streaming video service La Cinetek—which was founded by the filmmakers Pascale Ferran (Bird People), Cédric Klapisch (Chinese Puzzle), and Laurent Cantet (Return to Ithaca), as well as Alain Rocca, president of...