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L’Aîné des Ferchaux

Aug 11, 2020 The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...

Jun 8, 2020 When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...

May Books

The Daily

May 11, 2020 This week’s round comes loaded with lists: 100 novels about cinema, fifty novelizations, and dozens of Sheila O’Malley’s favorite biographies.

Jul 1, 2019 Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.

March Books

The Daily

Mar 7, 2019 The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.

Feb 12, 2019 In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...

Jan 3, 2019 We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.

Apr 12, 2018 Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...

Feb 9, 2018 New York. Tonight at Light Industry, Tobi Haslett will introduce a screening in memory of the late Mark E. Smith. “Charles Atlas’s Hail the New Puritan [1986; image above] now looks like a glinting frieze from a vanished London, a...

Jan 6, 2018 New York. The Metrograph is currently presenting seven films by Max Ophuls and, in the Village Voice, Bilge Ebiri argues that it’s “essential” to see his work on the big screen. “His characters were often women—women scorned, women in love,...

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