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Kashchey the Immortal

Aug 18, 2011 Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...

Apr 17, 2006 In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

IFFBoston 2026

The Daily

Apr 22, 2026 Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Feb 21, 2025 This week we’re revisiting work by Zeinabu irene Davis, Chantal Akerman, Claude Lanzmann, Wang Bing, and Joan Micklin Silver.

January Books

The Daily

Jan 28, 2025 We’re reading about Wes Anderson and David Cronenberg and looking forward to books on David Lynch and Pedro Almodóvar.

Oct 17, 2023 I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Feb 8, 2022 A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.

Dec 5, 2018 Studio Visits When it comes to evoking fantastical worlds, artist Angela Rizza is nothing if not a natural. Since graduating from the Fashion Institute of Technology in 2011, she has quickly made a name for herself as a children’s-book illustrator,...

Mar 20, 2018 For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame;...

Mar 9, 2018 Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

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