The Criterion Collection
The Daily
Sep 3, 2021 — Faya Dayi opens, Sight & Sound revives the Black Film Bulletin, and Tsai Ming-liang and Tony Leung Chiu Wai look back—and ahead.
Features
Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...
Jan 12, 2021 — In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...
The Daily
Jul 16, 2020 — This month’s round features reviews of books on Jacques Tati, Kelly Reichardt, Terrence Malick, Jordan Peele, and many more.
The Daily
Apr 3, 2020 — Conversations with Frederick Wiseman and Quentin Tarantino and rediscoveries of forgotten critics and an Arab filmmaker are among this week’s highlights.
The Daily
Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.
The Daily
Oct 21, 2019 — Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.
Essays
Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.
Oct 23, 2018 — Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.
Feb 27, 2018 — Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.