The Criterion Collection
The writer and director of Godland—Iceland’s 2023 Oscar submission—shares his love for Ana Torrent’s performances in Cría cuervos and The Spirit of the Beehive, talks about the physicality of Naked and the fear and inspiration in L’humanité, and praises the...
The Oscar-winning costume designer of Phantom Thread—whose latest work can be seen in Bradley Cooper’s Maestro—reminisces about his enduring collaboration with Paul Thomas Anderson, shares his love for the artistry of Italian designers Piero Tosi and Milena Canonero, and talks...
The writer and director of All Dirt Roads Taste of Salt selects films that have left an indelible mark on her sensibility, praising the revelatory inspiration of Lynne Ramsay’s short films and the visceral effect of The Piano Teacher, and...
During a trip to what he calls our “city of movies,” the director of Afire talked about the jazzy qualities of Steven Soderbergh’s films, the inspiration he has taken from Preston Sturges, and an overpoweringly erotic moment in Stromboli.
The director of One False Move and Devil in a Blue Dress talks about his love of Yasujiro Ozu, the exploration of crime in Pixote, the inspiration he took from Children of Paradise, and one of the greatest jazz films...
The writer, director, and actor talks about a parallel between The 400 Blows and his popular show It’s Always Sunny in Philadelphia, the inspiration he has taken from Being There, and his excitement about exploring the work of Agnès Varda.
The director of Beau Is Afraid talks about one of the best experiences he’s had in a movie theater, the inspiration he’s taken from Karel Zeman, and the possibility that Cure is “the greatest movie ever made.”
The legendary animator, who has worked on such Disney classics as Sleeping Beauty and Mary Poppins, talks about taking inspiration from Alfred Hitchcock, Akira Kurosawa, and Zoltán Korda’s Jungle Book.
Interviews
Jul 18, 2024 — A pioneer of the 1980s downtown New York arts scene, the director of Sleepwalk talks about navigating her creative life in the city and the inspiration she has taken from mythology, fairy tales, and cinéma fantastique.
May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.