The Criterion Collection
May 5, 2014 — Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...
The Daily
Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
On the Channel
Jul 17, 2026 — Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...
The Daily
Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...
In Theaters
Dec 24, 2015 — As the perfect companion for your holiday blues, spend the final days of the year indulging in a good cry with Douglas Sirk at the Film Society of Lincoln Center.
Oct 21, 2025 — Set in a postcard-perfect American town, David Cronenberg’s provocative take on the old-fashioned crime thriller examines the pleasure we derive from cinematic violence and the construction of patriarchal impunity.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.