Apr 14, 2014 Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.

Working with Jack Davis

Criterion Designs

Jan 22, 2014 When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...

Nov 8, 2010 To say that Lars von Trier deals in provocation and controversy is like saying John Ford made westerns: obviously true, but far from giving a measure of the director’s importance. Ever since The Element of Crime polarized critics at Cannes...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Apr 23, 2009 This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

Dec 3, 2008 Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.

Oct 16, 2006 Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad

Sep 18, 2000 Drenched in mud and rain, Lars von Trier’s breakthrough film inhabits a true twilight zone, bereft of heroes and integrity.

Good Morning

Essays

Aug 28, 2000 Good Morning is the wildcard in Yasujiro Ozu’s career, the film that looks least like all his others, and one of the few where he sees the world through childrens’ eyes rather than those of an old man.For many years,...

Halloween

Essays

Oct 18, 1994 It’s useless to take a lofty view on an instant schlock horror classic, but there are reasons why John Carpenter’s Halloween, alone in the last decade, stands with George A. Romero’s Night of the Living Dead and, before that, with...

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