I Often Think of Piroschka

Jun 14, 2023 — In her deeply empathetic documentaries, the British filmmaker illuminates the lives of ordinary people who have quietly created new identities and possibilities for themselves.

Dec 12, 2022 — The great but underrated Hollywood star Irene Dunne made her transition to screwball comedy by playing the scandal-courting author at the heart of Theodora Goes Wild.

Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.

Aug 12, 2020 — Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...

May 18, 2020 — The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.

Nov 29, 2019 — Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...

Mar 11, 2019 — It doesn’t take more than a few minutes of watching a Khalik Allah film to intuit that he’s a photographer. Over the course of just two documentary features, the thirty-four-year-old, New York–bred artist has developed an instantly recognizable style at...

Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.

Nov 12, 2017 — On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.