The Criterion Collection
The Daily
Jan 25, 2018 — “I don’t scare easily,” begins A. A. Dowd at the A.V. Club. “So it’s a special kind of awful, a rare treat of sorts, when something comes along that actually gets past my defenses, that does more than make me...
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Essays
Mar 23, 2010 — If we adapt the language of horse breeders to the genealogy of films, we might write Yojimbo, by Shane out of Scarface.But while this odd coupling does suggest the most obvious hereditary traits of Akira Kurosawa’s black comedy, it fails...
Jul 9, 2007 — The names Hiroshi Teshigahara, Kobo Abe, and Toru Takemitsu loom large among Japanese intellectuals of the late twentieth century. Each in his own right was an artist of peculiar genius, each resisting easy classification in conventional categories: Teshigahara as filmmaker,...
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Feb 13, 2006 — Jean Renoir’s classic film shows the natural world and the power of technology as wedded through the closely coordinated labor—effected through glances and sign language—of two men.
The Daily
Jan 23, 2018 — Just in case it’s not obvious, a click on the title will take you to a roundup of reviews, interviews and, when available, trailers, clips, and more. Titles will be added throughout the festival and those entries will be updated...