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Henry V

May 26, 2003 Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton

Apr 23, 2001 Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...

Hamlet

Essays

Sep 18, 2000 Reviewing Laurence Olivier’s 1948 film of Hamlet, James Agee—then a critic at Time—wrote: “The man who brings Hamlet, his friends, and his antagonists to life has tackled one of the most fascinating and most thankless tasks in show business. ....

Othello

Essays

Jun 27, 1995 Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

49th Parallel

Essays

Dec 9, 1990 Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

May 25, 2017 New York. “You can’t go wrong with a retrospective of Ernst Lubitsch, whose movies still sparkle with urbanity and sly wit,” writes Neil Genzlinger in the New York Times. “Film Forum serves up a feast of them beginning Friday, June...

Jun 25, 2024 A collection on the Criterion Channel charts the evolution of the synthesizer—from its infancy in the 1950s to its maturity in the 1980s—and its transformative impact on film music.

Sep 30, 2021 The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Mar 6, 2018 Scholar Donald Petrie delves into how inspired choices in casting and cinematography gave Tony Richardson’s Oscar-winning period comedy its modern sensibility.

Sep 23, 2015 Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

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