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Hell or High Water

Sep 11, 2017 This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright. Let’s...

Oct 21, 2014 Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.

Feb 10, 2012 The Chef whips up a sweet treat, using a recipe from a star of one of his favorite films in the collection, Wes Anderson’s candy-colored The Royal Tenenbaums.

High and Low

Essays

Oct 12, 1998 Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...

May Books

The Daily

May 11, 2026 We begin with the Marilyn Monroe centenary and move on to thrillers and collections of poetry and critical essays.

Nov 28, 2017 Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...

May 13, 2025 In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.

Jun 29, 2016 In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Sep 26, 2012 Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.

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