The Criterion Collection
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Mar 8, 2016 — Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Feb 25, 2025 — Like many of the characters found throughout the director’s oeuvre, the alternative-press staffers at the center of her sophomore feature are bound up in a perpetual tug-of-war between past and present realities.
Jan 28, 2025 — The first of eight collaborations between actor James Stewart and director Anthony Mann centers on a prize rifle that ends up being both a magical object and a cursed one, sending every man who possesses it to a doomed fate.
Jun 22, 2021 — The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.
On the Channel
Nov 30, 2020 — Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
The Daily
May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.
Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.
Essays
Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.