Feb 25, 2026 The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Nov 1, 2023 Chloe Domont is a Los Angeles–based writer and director whose feature directorial debut, Fair Play, premiered at the Sundance Film Festival and was acquired by Netflix. Her short films, Haze and All Good Things, have been included in the official...

Back on Track

The Daily

Mar 17, 2023 This week: Good news from repertory programmers, new columns, and a talk with Louis Garrel.

A Noir-Tinged Week

The Daily

Aug 13, 2021 This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Jun 10, 2021 As the festival presents its program to the public, now is a good time to discover the bounty at the Forum’s newly revamped site.

Mar 8, 2021 Son of avant-garde filmmaker Ken Jacobs, Azazel Jacobs was raised in lower Manhattan surrounded by artists. He received his bachelor’s degree in film from SUNY Purchase and his master’s from the American Film Institute. His credits include The Good Times...

Aug 28, 2020 One severe pan, a good handful of raves, and a set of fence-straddling reviews recommending that viewers go ahead and proceed—but with caution.

Aug 23, 2019 A good number of the pieces that have stood out this week examine the ways that music and cinema have informed each other’s traditions.

May 22, 2019 Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.

Nov 15, 2018 If you loved the adventurous curated programming we’ve been doing with our friends at FilmStruck, we have good news for you.

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