Glaube und Währung (God’s Angry Man)

Dec 10, 2024 — The Locarno Film Festival is making a new restoration of Alberto Cavalcanti’s A Real Woman freely available worldwide.

Aug 30, 2024 — Martin Scorsese and Edgar Wright discuss overlooked British films and cinematographer Mark Lee Ping-bing talks about working with Hou Hsiao-hsien.

Nov 9, 2023 — The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.

Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.

Aug 26, 2022 — Louise Brooks, Marguerite Duras, Lucrecia Martel, and Jacquelyn Mills headline this week’s roundup.

Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.

Nov 5, 2021 — This week heads in all directions—noir, musicals, and the avant-garde.

Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...

Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...