The Criterion Collection
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
Essays
Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...
Mar 12, 2021 — Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...
The Daily
Aug 17, 2022 — Our late summer reading list includes vital film criticism and new titles on Josephine Baker, Douglas Fairbanks, and more.
Essays
Nov 10, 2020 — The coming-of-age drama is generally thought of as portraying adolescence—the sexual awakening, the high-school cliques, the angst about the future. At least that’s the assumption on which Hollywood has profitably based its avalanche of teen pics for lo these many...
The Daily
May 21, 2018 — Movies you may not care about are inspiring some writing you won’t want to ignore.
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.