The Criterion Collection
Jun 11, 2018 — Building on a rich lineage of gothic fairy tales and noirish melodramas, this lavishly stylized curio has an ominous beauty all its own.
Essays
May 4, 2018 — What do we mean when we say a narrative film is poetic? The answer lies in this visionary western from director Jim Jarmusch.
The Daily
Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....
The Daily
Apr 17, 2018 — The past couple of days have seen lineup announcements from Critics’ Week and Directors’ Fortnight, and of course, last week, the main event, the Cannes Film Festival presented the bulk of its lineup for the seventy-first edition running from May...
The Daily
Apr 5, 2018 — “Isao Takahata, who co-founded Studio Ghibli with Hayao Miyazaki in 1985, has died at eighty-two, according to Yahoo! Japan.” Michael Nordine for IndieWire: “Takahata was a revered director in his own right, helming such animated classics as Grave of the...
Oct 1, 2017 — “Sean Baker follows his 2015 breakout feature Tangerine with another high-energy movie about people whose imaginations are undaunted by living on the margins,” begins Amy Taubin, introducing her interview with the director for Film Comment. “In The Florida Project, six-year-old...
Features
Sep 27, 2017 — In conjunction with a new edition of Stan Brakhage’s Metaphors on Vision, we’re sharing a selection from the opening pages of this seminal work.
Aug 31, 2017 — Guillermo del Toro’s The Shape of Water, premiering in Competition in Venice and screening as a Special Presentation in Toronto, is a “ravishing, eccentric auteur’s imagining, spilling artistry, empathy and sensuality from every open pore, [offering] more straight-up movie for...
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Feb 24, 2015 — Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.