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Dumb Money

Sep 2, 2017 “The names Joel and Ethan Coen pop up on a lot of screenplays these days (Bridge of Spies, Unbroken), now that they’re getting credit for the kind of script-polishing they used to do anonymously,” begins Variety’s Owen Gleiberman. “But Suburbicon...

Mar 25, 2014 Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.

Jan 18, 2011 In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...

Sep 15, 2009 Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...

May 20, 2009 The title alone screams incongruity. Shohei Imamura’s 1961 black-and-white caper movie Pigs and Battleships bursts with the confusion and exuberance of a cross-cultural encounter. In its lively portrayal of enthusiastic Japanese locals welcoming the U.S. Navy on R&R to the...

Sep 26, 1993 Kon Ichikawa’s magisterial achievement is a barbed, poignant, and seductive elegy that draws on the skills he acquired over his four-decade career.

The Blob

Essays

Mar 6, 1989 This black-and-white horror flick is the definitive ‘50s film about a town that won’t listen to the kids until it’s too late.

Feb 14, 2025 The director of Down with Love talks about his favorite romantic comedies set in the great metropolis and looks back on the making of his own foray into the genre.

May 23, 2017 “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...

Jul 6, 2015 The Killers (1946) is exemplary film noir from Robert Siodmak, who, on the strength of three films—this, Phantom Lady (1944), and Criss Cross (1949)—stands beside his fellow European exiles Fritz Lang and Otto Preminger as one of noir’s crucial directors....

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