The Criterion Collection
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Feb 11, 2026 — Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.
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May 17, 2023 — Now that Jeanne du Barry has opened this year’s edition, critics look ahead to the movies they’re anticipating most.
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Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.
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Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.
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Dec 2, 2021 — Artforum opens the season, and we already have best-of-2021 lists from Cahiers du cinéma and Vanity Fair.
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Apr 27, 2021 — The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.
Nov 18, 2020 — Born in 1976 in Caserta, Italy, Pietro Marcello attended the Academy of Fine Arts, where he studied painting. His documentary Crossing the Line was presented at the sixty-fourth Venice Film Festival and brought him international acclaim. In 2009, his first...
Oct 8, 2020 — Recognized by the Museum of Modern Art as a “rarity among the young generation of Filipino filmmakers for her muted, serene aesthetic,” Isabel Sandoval has premiered her films at major festivals like Venice, Locarno, London, and Busan. Cahiers du cinéma...
Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...
Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...