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May 10, 2022 Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Feb 22, 2022 The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Nov 9, 2021 Julia Ducournau’s Titane, Jasmila Žbanić’s Quo Vadis, Aida?, and Florian Zeller’s The Father lead with four each.

Sep 24, 2021 Joanna Hogg, Terence Davies, and Lynne Ramsay look back on their days in film school; and Bill Morrison issues a warning.

Feb 25, 2021 Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Nov 25, 2020 A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

August Books

The Daily

Aug 17, 2020 Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Jul 30, 2020 Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...

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