The Criterion Collection
May 20, 2025 — Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.
The Daily
May 7, 2025 — An absorbing fifty-three-minute meditation on a massive construction project opens in New York on May 14.
Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.
Aug 13, 2024 — In films that elude categorization, the Ukrainian director developed a boldly experimental aesthetic that evokes her mercurial inner dialogue and the leaps and stutters of her imagination.
May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
Apr 16, 2024 — Unfolding in elaborately choreographed long takes, this sublime adaptation of László Krasznahorkai’s novel The Melancholy of Resistance captures the weight of time and the mood of fascism with a haunting palpability.
The Daily
Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
The Daily
Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.