The Criterion Collection
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
Essays
Jul 13, 2010 — At the author’s request, Japanese names are given here in their traditional form: surname first. Nineteen thirty-six was a decisive year for imperial Japan, marked by extreme violence at home and abroad. In the very early morning of February 26,...
Mar 30, 2010 — The work of Pedro Costa has progressed in slow, measured steps, but each step has been a giant leap. His slowness is both the condition and the consequence of ethical standards he shares with precious few directors of his generation....
Sep 22, 2008 — With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
The Daily
Aug 25, 2021 — Fifteen features and eight programs of short films are set for the festival’s showcase of aesthetically adventurous work.
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Dec 13, 2011 — Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.