The Criterion Collection
The Daily
Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.
The Daily
Mar 1, 2018 — This year’s edition of the True/False Film Fest opens today in Columbia, Missouri and runs through Sunday. “The festival focuses on nonfiction films, though True/False’s definition of the term is intentionally porous,” writes Aarik Danielsen during the course of his...
The Daily
Apr 5, 2018 — “Just a few years in and DOC10 is already a must-hit stop on the festival circuit for the year’s best documentaries,” writes Lisa Trifone in the Third Coast Review. “The brainchild of Chicago Media Project and head programmer Anthony Kaufman,...
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.
The Daily
Jun 20, 2018 — The anniversary edition features three world premieres and the best of this year’s Sundance.
Apr 27, 2009 — The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...