The Criterion Collection
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Oct 27, 2025 — The self-trained filmmaker examined postindependence Nigerien society in morality tales that showcased his visual ingenuity and sly sense of humor.
On the Channel
Oct 16, 2025 — This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.
The Daily
Sep 4, 2025 — The long-awaited passion project is celebrated in a new book, a documentary, and a retrospective.
The Daily
Aug 1, 2025 — On our minds this week: Renoir, Malick, Rozier, and a trip to FIDMarseille.
The Daily
Jul 2, 2025 — Pavements and Videoheaven take us back thirty-odd years, but neither film is merely a nostalgia trip.
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.