Cold

Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.

Sep 13, 2004 — About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Apr 15, 1992 — When President Kennedy announced that Ian Fleming’s novels were amongst his favorite bedside reading, the international stage was set for the entrance of a new cinematic character. His name was Bond—James Bond. In 1962, Dr. No burst onto the screen...

The writer and director returns to the Criterion Closet, where he talks about the infectious energy of Night and the City, shares why Beau travail and Cold Water were transformative works for independent filmmakers in the 1990s, and praises the...

The screenwriter and director talks about the timelessness of Brief Encounter, praises the performances of Richard Burton in The Spy Who Came in from the Cold and Marlon Brando in One-Eyed Jacks, and reminisces about discovering French cinema at an...

The actor, screenwriter, and producer talks about the monochromatic world of The Spy Who Came in from the Cold, praises the way that the cinematography of Klute turns viewers into voyeurs, and shares why His Girl Friday represents Hollywood at...

The actor shares his close connection to Lindsay Anderson’s This Sporting Life, praises Richard Burton’s performance in The Spy Who Came in from the Cold, and talks about playing villains for “master of the macabre” Brian De Palma.

The director of All Quiet on the Western Front and Conclave shares his love for Downhill Racer and its innovative sound design, talks about the emotional impact of Cold War, and selects a few of Roberto Rossellini’s films featuring Ingrid...

The actor and director returns to the Closet, where he clarifies his feelings on Salò, or The 120 Days of Sodom; shares how much he learned about filmmaking from supplemental features on the Criterion editions of Barry Lyndon and Roma;...