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Brothers

Nov 27, 2012 Writer, director, and author Paul Feig is the director and producer behind the hit comedy Bridesmaids, as well as the creator of the beloved cult series Freaks and Geeks, a director and coexecutive producer of The Office, and the author...

Aug 14, 2012 The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Nov 29, 2011 Author Michael Korda (Charmed Lives: A Family Romance) writes: Few things are more challenging than picking ten favorites out of such a long list of distinguished films as that of Criterion, and it seems only fair to point out that,...

Apr 21, 2009 Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...

Apr 15, 2009 Artist Jaime Hernandez’s diabolically clever illustrations for our release of Divorce Italian Style (now available as a signed art print at the Criterion store) made for one of our most popular DVD covers. And this month, Hernandez has sent us...

Nov 30, 2006 We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...

Salesman

Essays

Sep 3, 2001 The Maysles Brothers’ documentary classic exposes the diurnal rituals and disappointments of American men of a certain generation.

Jan 11, 1994 A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

The actor praises the Dardenne brothers compassionate approach to filmmaking, talks about Michael Haneke’s use of long takes in Code Unknown, and gets excited to explore The Wes Anderson Archive.

The writer, director, and actor talks about the formative influence of Richard Linklater and the Coen brothers, does his best impression of Brenda Blethyn in Secrets & Lies, and shares why Close-up transcends the bounds of cinema.

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