Broken

May 19, 2026 — New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

May 19, 2026 — “My history’s burning up out here,” Ned Racine (William Hurt) tells his lover in the opening minutes of Lawrence Kasdan’s directorial debut, Body Heat (1981). Ned, a small-time attorney and local roué in his South Florida beach town, recognizes the...

May 14, 2026 — Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Apr 28, 2026 — As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Apr 20, 2026 — For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.

Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.

Mar 31, 2026 — Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.