The Criterion Collection
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.
The Daily
Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .
Essays
Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Astrid Hadad
The Daily
Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.