Sep 4, 2017 Let’s start with the Telegraph’s Robbie Collin: “‘We all have history,’ shrugs Addie Moore, a widow living in small-town Colorado, when a friend advises that her new beau—a twinklingly handsome widower from a few doors down the street, called Louis...

Oct 25, 2016 On their way back to Mumbai, the filmmaking pair dropped in for a chat about their film The Cinema Travellers, which documents the last traveling-cinema exhibitors of the western Indian state of Maharashtra.

Apr 20, 2015 "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...

Oct 19, 2009 Though known primarily for her wildly varied, continent-hopping features (Salaam Bombay!, Mississippi Masala, Vanity Fair, The Namesake), Indian director Mira Nair has for the past three decades also been forging a parallel career of short filmmaking. Both fiction (Migration, How...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

Apr 23, 2007 Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.

Four surrealist dreams, a portrait of Bombay’s street life, a 1980s touchstone, an ecstatic documentary, a windswept enchantment, and one of the fastest and funniest films ever made

Jan 9, 2026 This week: Conversations with Lav Diaz, Mira Nair, and Jean-Pierre and Luc Dardenne.

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