As One

Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Sep 9, 2002 — With her debut feature, Lynne Ramsay confirmed herself as one of the most distinct and important voices to emerge from the United Kingdom in recent years.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Dec 9, 1990 — Michael Powell’s war thriller ranks alongside Hitchcock’s Foreign Correspondent as one of the two finest amalgams of suspense and propaganda to grace the big screen during the years 1939-45.

The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...

The actor and director praises Black God, White Devil as one of the most important Brazilian films ever made, talks about the complex humanity of Il Posto, and reflects on why Jean-Pierre and Luc Dardenne are his favorite filmmakers.

The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...

The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.

The actor and star of Anora talks about Five Easy Pieces and being drawn to morally ambiguous characters, praises Isabelle Huppert’s performance in The Piano Teacher as one of the greatest of all time, and selects Take Out, one of...