And at Last

Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.

Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.

Jan 29, 2020 — The festival will premiere new work from Christian Petzold, Hong Sang-soo, Philippe Garrel, Sally Potter, Mohammad Rasoulof, and Tsai Ming-liang.

Jan 8, 2019 — A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

Aug 31, 2018 — There’s a wistful sense of what might have been running through this week’s round of five.

Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

Apr 22, 2014 — Carl Theodor Dreyer’s spare and modern visual style perfectly complements this comic and soulful domestic comeuppance story.

Aug 19, 2024 — Two Lithuanian directors score top awards, while Invention emerges as a critical favorite.

Aug 11, 2022 — New York’s Film Forum commemorates the director’s centennial year with a series of twenty-one films.