The Criterion Collection
Dec 25, 2008 — Robert Rossellini’s efforts to put history into images would yield some forty-two hours of “didactic” movies, mostly for television.
Sep 23, 2002 — Anticipating reality TV, Rémy Belvaux’s faux cinema verité satire follows a film crew documenting a mass murderer’s rampage.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Oct 15, 2013 — Georges Franju’s masterpiece is the most chilling expression in cinema of our ancient preoccupation with the nature of identity.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
On the Channel
Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.
Sep 23, 2011 — Performances Lillian Gish once said, “I’ve never been in style, so I can never go out of style.” The silent-screen legend was being modest, but she was clearly on to something—something that Charles Laughton grasped when he cast her as...
The Daily
Mar 9, 2018 — Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.