The Criterion Collection
Jul 25, 2016 — In his masterful reimagining of the story of John Smith and Pocahontas, Terrence Malick meditates on the nature of beauty and America’s path from innocence to experience.
Feb 12, 2007 — Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.
Essays
Nov 25, 2020 — “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...
Features
Oct 28, 2019 — One Scene In Nadav Lapid’s latest film, the award-winning Synonyms, a young man moves from Tel Aviv to Paris to make a clean break from his Israeli identity. This drastic attempt at self-reinvention is something that Lapid himself endeavored in his...
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Jul 30, 2013 — Guillermo del Toro’s ghostly fable beautifully reflects the director’s fascination with the personal and the political.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.
Jul 16, 2018 — The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.
Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.