The Criterion Collection
Aug 28, 2006 — Pietro Germi’s brilliant satire skewers Italian society’s devotion to appearances and its cultlike obsession with gossip and honor.
Feb 9, 2023 — New York’s Metrograph presents a series of films Rainer has called “autobiographical fictions, untrue confessions.”
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Sep 27, 2022 — Darius Marder’s Oscar-nominated drama captures the isolation and despair of a man who suddenly goes deaf and struggles in vain to regain his former life.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Features
Sep 9, 2022 — James Wong Howe was a fighter, and he learned how to be one over the course of a turbulent upbringing. Born Wong Tung Jim in 1899, in the Chinese province of Guangdong, the man who would become one of the...
The Daily
Nov 28, 2018 — The career of one of Italy’s greatest directors was riddled with scandal and accolades.
Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.