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Jan 8, 2019 — “Elements which can be eliminated have been eliminated” is how Abbas Kiarostami once described his late turn toward minimalism. While the Iranian director was known for the intricate, metatextual playfulness of his work, he also spent much of his career...

Jan 4, 2019 — The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Dec 29, 2018 — Polls and ballots, lists and considered reflections give shape to the year that was.

Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...

Dec 26, 2018 — Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Dec 21, 2018 — New issues of Senses of Cinema and cléo this week, but also healthy seasonal doses of anxiety and lamentation.

Dec 20, 2018 — New York launches an Iranian film festival and sends its Art of the Real series to Los Angeles.

Dec 17, 2018 — Secrets from the past are always surfacing in melodramas, altering or illuminating the landscape of the present. So it seems fitting that director John M. Stahl, one of Hollywood’s great masters of melodrama, had a past that is only now...

Dec 13, 2018 — The Berlinale will premiere new work by Angela Schanelec and Denis Côté, Rotterdam’s got an opener, and Steven Soderbergh will preview his latest at Slamdance.

Dec 12, 2018 — As the commanding presence at the center of Samuel Fuller’s wild feminist western Forty Guns, the great Barbara Stanwyck taps into the tough, no-nonsense bearing she’d honed on-screen since the late twenties, playing the part of a corrupt rancher who...