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Surprises Abound

The Daily

Jan 12, 2024 This week’s given us essays on Chantal Akerman and Edward Yang and conversations with Takeshi Kitano and Robert Bresson.

Jan 10, 2024 A Nigerian exile wanders 1968 San Francisco in this gorgeously shot time capsule.

In This World

The Daily

Jan 5, 2024 Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Dec 18, 2023 As we scan the latest lists, polls, and awards, it seems that many critical favorites are emerging in pairs.

Dec 14, 2023 Greta Gerwig will preside over the jury in Cannes, Sundance will celebrate forty years, and the Berlinale names a new director.

Dec 12, 2023 In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Nov 30, 2023 A retrospective in New York offers an opportunity to delve into Yoshida’s views on the work of early masters such as Kurosawa and Ozu.

Nov 21, 2023 The decades have flown by, but Mean Streets (1973) has not become the least bit dated, even though we know how the careers of all the principals have evolved in the years since, not to mention that the world just...

Nov 1, 2023 Sandra Hüller meets Joachim Trier, Hayao Miyazaki predicts the future, and MoMA showcases Iranian cinema.

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